I went down the rabbit hole of alternative games for this deck, and saw Mü mentioned in the forums with some tips alongside a table. Hopefully that helps, though I did notice someone commented about needing to remember the point values.
Seemingly, the major failure there was having the one part (decriminalization) without the other - crucial - part (treatment and support).
The support and treatment structures have remained essentially unchanged since Measure 110 passed, with holdups to funding and logistics at almost every level of the state's government. Oregon was already ranked almost dead last in addiction treatment, and that hasn't budged. I can't see how it would work without this other critical piece.
Also worth noting is that research has found no association with with Measure 110 and crime, and crime has been steadily falling since the measure was passed. (along with most other metro areas in the USA) https://www.opb.org/article/2024/01/24/portland-crime-violen...
The website is using a javascript library to override the default system scrolling behavior. It creates what feels like, at least to me and some others in these comments, an unresponsive scroll animation that does not match the behavior of essentially all other apps on my device. This is called scrolljacking, and is generally discouraged as it tends to ignore the behavior the user has configured at the device or OS level.
Great suggestions! I would expand that list with a couple more modern recommends, like Kamasi Washington, Shabaka And The Ancestors, Nubya Garcia, or even Portico Quartet. Some Jazz/fusion-adjacent acts as well, such as BADBADNOTGOOD, The Comet is Coming, or Thundercat. The genre is thriving today.
taking the coattails of your comment with great artists to throw out The Bad Plus. Fantastic body of work, highly creative and absolutely rocking jazz band. Granted, I'm most familiar with their Ethan Iverson discography. Dave King (drummer) is exciting as hell to watch.
To the uninitiated but curious - start with their mind blowing covers and branch out from there.
This is probably the main reason I tend to purchase my favorite music as vinyl. It is one of the few formats that is unencumbered by major patents, hardware requirements for the most basic listening, and roadblocks on the decryption/decoding side. If I want to hear a record in the most dire of circumstances, I can manually spin it with my hands and use a needle and paper sheet shaped into a cone. The record is, itself, a visual waveform representation of the music in one of its most straightforward forms.
The power can be out, no batteries around, no computer in sight, and I can still handcrank my music on a portable set. And I own it, DRM-free.
And, as mentioned above, most records now come with a code for a digital copy of the album. Best of both worlds.
"I could listen to it with a needle and paper sheet taped into a cone while spinning the record with my hands" has to be about the dumbest justification for buying vinyl I've ever heard.
The chances of society deteriorating to the point where an mp3 player running off a rechargeable AA battery isn't achievable are slim to none, and even if they do get to that point, I think you're going to be far more concerned about the basic business of staying alive.
Well, the main reason, as I stated, is ideological. That it is not encumbered by patents, like mp3 is/was. The "paper cone" example was the most extreme hyperbole that came to mind. I just think it's neat that I would still have tunes, even in that extreme, unlikely situation.
However, in response to that: This past winter my apartment went without power for over 3 days, thanks to frost damage taking out major parts of our grid. UPC ran out of power in a couple hours, phones near the end of the day, any rechargables near mid-second-day. It was really nice to have the hand-crank player with built-in speaker while huddled up under a heavy blanket and reading. The same experience even more recently while staying at a fairly remote cabin, without streaming, signal, or convenient power. Had board games, a handful of records, and a nice lantern. Good times.
Yeah, there’s a great big chasm between “listening to Spotify” and “the world has descended to caveman days” and multiple options are nice. We’ve been without power for a night and the M18 equipment was nice to have. We’ve been without internet for days and local storage was nice to have.
I'm imagining a Daemon (as in the Daniel Suarez book) like system that gets paid by web advertising companies in Bitcoin, and automatically spawns it's servers on cloud providers who accept payment in Bitcoin. One or more hot backups on a single VM would silently wait for the live system to go down, then respawn itself and switch over the DNS. Namecoin could be used in place of, or augmenting, traditional domain names.
The only really tricky bit is "raid-proofing" secrets (Bitcoin/Namecoin private keys, DNS credentials), but Amazon and presumably other cloud providers are starting to offer HSMs. Or perhaps some combination of Shamir's Secret Sharing and multisig wallets + voting pools.
You might be interested in Charles Stross's "Accelerando", where he posits a similar system of python scripts acting as decentralized companies, constantly shuffling ownership of themselves among themselves.
It's been too long since I've read it, so I forget what the actual point was.
Despite the headline, what that article describes isn't "raid proof." Instead it describes a system that can be recreated at a new hosting provider even if the current accounts are terminated or hardware confiscated. A disaster recovery plan.
https://boardgamegeek.com/geeklist/303652/more-games-playabl...